Years in the making, The Master Course In High-End Blocking And Staging is the most comprehensive and ambitious Directing Course in the world. A groundbreaking learning tool, the course teaches high-end camera work through over 9 hours of 3D animated instruction on 6 Region-Free DVDs.
Script Supervisors, 3D Animators, Visual Effects Artists, Game Designers, Videographers, Actors, Editors, Writers
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The Master Course is a powerful system of single-camera blocking and an unprecedented language of camera work, that may fundamentally change the way you direct.
The course was created by director Per Holmes, who spent over half a decade developing an all-inclusive language of high-end feature camera work for personal use, and then realized how much others would benefit from these techniques.
The Master Course is far beyond any current filmmaking program, and is intended for professionals who want to take their blocking skills to the highest level, and those who are crossing over from another discipline, but can be used by filmmakers at any level who are committed to mastering high-end directing.
$279.00 $399.00
residents add 7.75% sales tax.
14-day money back guarantee.
Sam Simon - Writer/Producer/Director, The Simpsons, Cheers, The Drew Carey Show, Taxi, The Tracey Ullman Show, Friends. 9 time Emmy®-Winner.
Stephen Schleicher
Digital Media Net - Review
The primary goal of The Master Course in High-End Blocking and
Staging is to do the most effective blocking with the highest
production-value, and to build a vast repertoire of techniques to make
Directing more expressive — and ultimately more fun.
The course also deals with the problem that blocking
often grabs so much of our attention that we're forced to choose between
doing camera work or nurturing great performances. If we choose acting,
the camera work suffers. If we choose camera work, the actors are often
left to direct themselves. One of the key goals of the course is to have
great camera work become so automatic that we can do both at the same
time.
When shooting, we also too often abandon many great shots we had planned.
When we're under pressure, we far too often revert to tried and tested
techniques like two reverses and a master. Even if we know plenty of techniques,
we often only use the ones we know extremely well, and another key goal
of the course is to know techniques so well that we use them.
STATIONARY BLOCKING
Keith Alcorn – Co-Executive Producer / Director, The Adventures of Jimmy Neutron, Boy Genius, Academy Award Nominee.
The first two volumes deal with stationary camera work, and focus especially on shot selection,
Learn Feature and
Network Quality
Directing.
Become a master of
blocking technique
through almost a thousand 3D animations
Get a profound understanding
of every
conceivable camera and actor movement.
Do more effective
and cohesive blocking
using fewer setups
Get more production-value,
which
ironically costs less.
Become an expert
at using dolly and crane.
Know how to make
every choice while
blocking scenes from scratch.
Create complex scenes
without line-
issues and editing problems
Finally be able to
concentrate on the
actors
Learn how easy it
can be to do great
camera work.
THE
MOVING CAMERA
STAGING
HIGH-END SCENES
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